Performative Identity: The Effects of Spanish Colonization on Indigenous Women and Society

The theme of performative identity, an exploration of the effects of Spanish colonization on the social hierarchy of indigenous communities, can be seen in the change of family structure, rights of women, and the representation of culture. The pre-colonial indigenous social structure, in terms of family, was heavily reliant on marriage. Marriage was important to the way individuals lived in relation to their community, since the wife and husband functioned as a “unit” where they worked together and were seen as one. A great example of this structure is seen between Titiruku, an Aymara activist, and his wife Rosa Ramos where they helped each other network and find resources. However, with colonization from the Spanish, these structures and practices have shifted greatly and had the most impact on indigenous women. Post-colonialism, the Western Colonial Ideology led to “the denial of the very notion of ‘human rights’ to the female sex” in indigenous communities. As their rights began to decrease and their role grew inferior, women became a focus for reproductive use and childcare, meanwhile the role of men increased in society and in the cities, leaving women in the background.
The representation of culture through language, clothes, and jobs reflect another change in the identity of indigenous communities through the shift in the social hierarchy due to Spanish colonization. The most notable shift was the assimilating behavior by indigenous men who worked in the city since they would change both their appearance and behavior. These indigenous men would trade out their traditional clothing and for more European-styled clothes all the while speaking Spanish throughout their time in La Paz, Bolivia.  The fact that some indigenous men did change their clothes and language, or simply the fact that they were able to do that not only reflected their privilege and power in their communities, but also impacted the way indigenous women were viewed in society and their accessibility to certain jobs.
Indigenous women would wear more traditional clothing which included skirts, or polleras, that made them stand out more and, in a sense, stay stagnant in their roles. These clothing pieces were traditional and stood out as a significant factor of their indigeneity and culture, therefore it was hard for them to blend in or assimilate they way the indigenous men did. Notably, the ideas that “To the man, the profession, and to the woman, the hacienda” led indigenous women to more often than not work as artisans, in domestic service, and in commerce. Due to this ideology, indigenous women were pushed towards these jobs with a newbound society setup to keep it that way. The fact that Spanish colonialism impacted so many aspects of the performative identity of indigenous individuals is important to note and must be further discussed in order to achieve a greater understanding and appreciation of indigenous peoples and their work.
These points reflect the direct impact that Spanish colonialism had on the indigenous communities, a drastic change from what it once was. It is important to discuss this topic and bring it to light because the change in their social hierarchy also affects the way indigenous communities interact among themselves and with the rest of the country. This also includes their participation and decisions in other aspects, such as the way they assemble, their involvement in politics, and the leaders they choose or follow. By analyzing their social structure, we are able to further understand indigenous communities but also, we have the opportunity to examine how this structure has evolved within indigenous communities and whether or not it has retained the changes. Also, by gaining this new understanding, we can compare the impact on indigenous social hierarchies in other Latin American countries, not just Bolivia, that were also conquered by the Spanish empire, in order to evaluate how much the impact was and for how long it has remained.
There are various key terms that are essential to understanding, or at least beginning to understand, the impacts on indigenous communities from Spanish colonialism. The most important term to begin this analysis is discussing what colonialism is and who it has impacted in society. By recognizing the term, we can fully dive into the discussion of its impacts. Also, Indigenous feminism, on the other hand, is crucial for the realization of the roles indigenous women faced in their society through time. Due to Western Ideology, the role of indigenous women changed not only in their society but in also the one of Bolivia as a whole, and therefore it is important to acknowledge the need to support of these women, not necessarily all since other women were relieved of certain jobs that they pressed upon indigenous women instead. The term ayllu remains significant as well because the idea of community has adapted and been modified throughout time, both pre and post colonialism reaching even towards the way it is viewed today.

Indigeneity & Hip-Hop in La Paz, Bolivia

This documentary brings to the spotlight hip-hop/rap in Bolivia from groups such as Wayna Rap (which translates to Aymara to English to “Young Rap.”) The documentary explores how hip-hop and the community created by the youth of La Paz serves as a way to empower the youth. The use of hip-hop and rap to build and create positive messages and bolster the self-esteem of the youth and embrace their indigenous roots/identity. It touches on ways that this group of artists has been able to help change the racist and discriminatory narratives that are so commonplace in El Alto, Bolivia. It helps re-establish a link to indigenous Bolivian youth’s indigenous identity in a national context; they find a way to embrace their indigeneity in a day in age where media outlets and political discourse paints them as the cold sore of society. As the director of the cultural center Wayna Tambo, Santos Callejas, puts it, society labels them the “chronic red” in reference to the violence that plagues the youth of El Alto. Additionally, they are very open to celebrating and recognizing indigeneity by creating music and rapping in their indigenous tongue of Aymara. Where public school and institutions in Bolivia fail in recognizing and giving legitimacy to indigenous practices and language, Wayna Tambo offers a viable and inclusive environment to do so in a self-expressive and entertaining way.
Moreover, the cultural center, Wayna Tambo, serves as a hub for these kids to find and create their own space for self-expression and safety. Having a radio station as well, they’re able to spread their platform far beyond the confines of El Alto and can reach a broader audience with their message. They speak on outside influences that they draw on in the U.S as they stand in solidarity with places like The Bronx, NY that are also stricken by poverty and crime. Thus, artists in the U.S have risen and raised awareness to oppressive systems and injustices they face. They make note of artists such as Mos Def, Dead Prez, and Immortal Technique whom all have a unifying theme in that they speak of social justice and call out the systems put in place to oppress and suppress impoverished communities, specifically African-American communities. I found it particularly interesting because I like to think hip-hop and freestyling are a form of storytelling and a method of coping. These young artists can channel the energy and emotions they keep stored up and are able to raise consciousness and awareness to the present, everyday realities and struggles they go through. Through this, they are able to resonate with each other and create strong social networks of support, as well as create a universal message and relate to struggles that span farther than just their local communities in La Paz. Through this art form, the youth are able to redefine themselves and fight back the negative stereotypes of the youth (specifically indigenous youth) in La Paz, Bolivia, and find an escape in the music. It serves as a community and space for youth that are affected by poverty in their neighborhoods as a positive outlet and to keep the youth from falling into the cycle of crime that affects so many of the kids of La Paz.
Linked below is a playlist I compiled of the 3 part series documentary created by: Eli Breitburg-Smith and Meredith Webb.